卡科夫斯基 + 李勁松
錄映太奇，Noise Asia 聯合協辦
日期: 2009年10月8日 (星期四)
藝術家: 卡科夫斯基 + 李勁松 + Sin:Ned
費用: 港幣100元正 (只限現場購票)
是次演出將呈現卡科夫斯基與李勁松二人共同合作的作品。近兩年來卡科夫斯基曾多次來華演出，並由此與李勁松結識。在多次的同台演出和音樂創作上的切磋後，04年二人萌生了共同制作一張專輯的念頭。經過一年多的努力，一張集結了二人多場現場演出的音樂片段和錄音室作品的專輯“Revenge of Ying And Yang”(陰陽復仇記)終於在05年末推出。隨著唱片的出版，卡科夫斯基和李勁松的音樂創作也開始邁向新的方向。經過十多年在實驗噪音方面的探索，卡科夫斯基已表示將逐步把觸覺延伸到Ambient（環境）音樂方面。所以此次演出也將是二人在“Revenge of Ying And Yang”專輯後，音樂創作新動向的一個風向標。
[Staticizer Tour 2009] @ Hong Kong
Zbigniew Karkowski + Dickson Dee
Organized by Videotage and Noise Asia
Date: October 8, 2009 (Thursday)
Venue: Unit 13, Cattle Depot Artist Village, 63 Ma Tau Kok Road, To Kwa Wan, Kln, HK
Artists: Zbigniew Karkowski, Dickson Dee, Sin:Ned
Ticket: $100 at the door only
Sound arts star Zbigniew Karkowski will join force with the Hong Kong laboratory musician Dickson Dee in the [Staticizer Tour 2009] at Videotage on October 8th.
The concert will be a milestone of Zbigniew Karkowski and Dickson Dee’s music journey since their collaboration in the album, "Revenge of Ying And Yang" in 2005. They met 2 years ago during Zbignieew’s tour in China and since then the two have performed and collaborated repeatedly. They first initiate to produce an album together in 2004 and after a year of hard work, "Revenge of Ying And Yang" had finally came to live in 2005, which features live clips from their concerts and studio recorded music.
The collaboration have been influential and have pushed their music to new directions. After exploring noise and experimental music for over 10 years, Zbigniew have gradually moved to the creation of ambient and environmental music. He thinks that in order to have a better understand about ourselves and the planet, artists in the present day have the responsible to travel and work around the World. He also strongly believes that geographical, political and social exile is a necessary condition for true and honest creation. He is not interested in the traditional definition of music, in his opinion, all musical theory and systems, as cultural concepts must be destroyed. In his latest work, his main concern is to realize drama with sound - electronic and acoustic walls with the architectures of ruins transcribed in the scores.
Since the release of his solo album “PAST” in 1996, Dickson has began to set foot on the creation field with musical styles ranging from avant garde to experimental, music concrete, electronic, new classical, industrial noise, dance, electronic world jazz etc. He has collaborated with many artists, and set up his personal label Dicksonia Audio beside Noise Asia, which concentrates on the release and publishing of his own works. This provides more freedom and convenience to further develop his creativity.
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