Monday, August 22, 2011

Inter-Session


Three musicians from different backgrounds meet in the intersection between acoustic, electro-acoustic and electronic sound qualities. Feedbacks, field recordings and double bass create the raw material, which in pure or processed form is then transformed into a new soundscape. It is a soundscape of dynamic abstraction that invites the audience to enter a state of active listening. Given the distinct background of the three musicians, the musical language promises heterogeneity and multi-dimensionality: noise, drone, lower case electronica, energy, play, research and contemporary composition.

Overseas artists
Claudio Rocchetti _ Italy Fieldrecordings, Feedbacks
Klaus Janek _ Italy Double bass, Laptop
Li Zenghui _ China Saxophone, Voice

Supporting artists:
Nerve (Hong Kong)
Sin:Ned (Hong Kong)

Ticket $120/80*
- Includes one drink
- Limited to 50 tickets only. Available on a first-come-first served basis.

*Full-time students, senior citizens aged 60 or above, people with disabilities and comprehensive Social Security Assistance recipients.

For enquiries and reservation:
+852 2793 4817
info@osagesigma.com

https://www.facebook.com/event.php?eid=216514221730874

About the artists:

Claudio Rocchetti | Fieldrecordings, Feedbacks
Born1976, in Bozen Italy. After experiencing the straight-edge hardcore scene, he began exploring the many realms of noise. Rocchetti is now working on the composition of cinematic musical landscapes with the aid of old rare records, dusty analogue instruments as source material (old radios, customized turntables, gramophones...).

Klaus Janek
Born 1969, in Bolzano Italy. Studied classical double bass with M. Muraro, Venice, and attended workshops led by D.Holland, P.Kowald. L.Butch Morris. Explores avant-garde music, works on sound research on double bass, and actively involved in the improvised music scene. In addition to the three solo double bass CDs, also published CD of traditional and electronic music (FMP, edel classics, Minor Music, Solponticello, Ubiquity and others). He not only composes music for cinema, theatre and dance theatre, but also is the Art director of various concert series in Italy and Germany. He had attended concert and festival in EU, Russia, Israel, Canada, Japan and USA extensively. Since 2008, he works for Meta Design.

Li Zenghui
Born 1983 in Qingdao, China. Relocated to Beijing in 2007. A Saxophone player, poet and voice experimentalist. He is the most promising star in China’s free music / avant-jazz realm. He had found the indie / experimental rock band “the Tipsy Verse” in 2001. Afterwards he held a concurrent post as the keyboard player in “Pipedream Princess”. Also co-founder of “Walnut Room” with Feng Hao in 2007.

Nerve
Nerve graduated from the Hong Kong Academy for Performing Arts with a master degree in composition and electronic music. He is a member of experimental electronic music group VSOP and DJ of the club nights “Headroom” and “Are Friends Electric?”. With his multidisciplinary background, Nerve’s main interest lies in exploring and experimenting the boundaries between contemporary music, sound art, multimedia theatre and pop culture.

Sin:Ned
An idiosyncratic improviser, sonic artist, live-visualist, curator and free-lance writer from Hong Kong. Also co-founder of the experimental imprint Re-Records and member of the electro-acoustic duo No One Pulse.

Being a veteran writer of the legendary Hong Kong alternative music magazine MCB (Music Colony B-Weekly), his writings had influenced a wide spectrum of experimental musicians and listeners. With his on-going experimentation embracing improvisation, noise, errors, chaos and randomness, he has been re-visioning an unorthodox sound-making process expressed in extreme dichotomies, and driven by intuition and direct experience.

Wednesday, July 20, 2011

NOJIJI 2011三噪谷全国巡演



NOJIJI 2011三噪谷全国巡演 -
NOJIJI Tour 2011: Three of the Noise - Hong Kong Stop

Date: Aug-8, 2011
Time: 8:30 PM

Venue: Hidden Agenda
Address: 香港觀塘大業街25號高良工業大廈6樓全層
6/F, Ko Leung Industrial Bldg, 25 Tai Yip Street, Kwun Tong, Hong Kong
Enquiry: hiddenagendahk@gmail.com
Tel : 91706073

Artists:
Li YangYang / 李杨漾
Yang Xiu / 杨修
Mei ZhiYong / 梅志勇

Supporting artists:
Sin:Ned
Orgasm Denial
PAL PAL

Ticket: $100 (advance reservation) , $120 (walk-in)
Jointly presented by Hidden Agenda, Re-Records & NOJIJI

来自通州NOJIJI地下声响集团的李杨漾+梅志勇+杨​修,带来硬性模拟与灵魂交错感的迷离高能噪音现场,他们​分别以吉他和录音机扰动和硬件采样等方式带来的合奏与独​奏之三角能量景观,确是让你进入另外一种生命次元的可能​。

NOJIJI is an underground noise collective based in Tongzhou, Beijing. In this 2011 China tour, three of the core members of the NOJIJI collective, Li YangYang, Yang Xiu and Mei ZhiYong, with the use of guitar, circuit bent recording device and hardware sampling, will be presenting a high energy performance of hardcore extreme noise.

Li YangYang / 李杨漾
一个古怪而疯狂的伙计,他的创作来自宇宙间的一切现象,​涉及噪音,声音,影像,装置,写作等地下情景,他的精神​为极端矛盾中心,经常会带来强力具有反叛色彩的作品,麻​沸散成员!

An idiosyncratic and crazy artist who is inspired by all cosmic phenomenon. His works involves noise, sound, image, installation and writing, with strong rebellious intonation. He is also member of the underground group Mafeisan.

http://site.douban.com/leo​yy/

Yang Xiu / 杨修
声音铁男,采样器深度创作人。嗜好噪音、实地录音、对环​境音景有着浓厚的兴趣。死海噪音组织成员!

The iron man of sound, who specializes in the use of sampler. Deeply fascinated by nose, field recordings and all environmental soundscape. He is also member of the Dead Sea noise collective.

Mei ZhiYong / 梅志勇
新噪音。一个热衷于电路扰动极端分子,在录音机扰动寻找​爆炸的方式粗噪音。探索发现声音在各种古灵精怪发声器的​钻研。

A neo noise artist and an extreme circuit bender, with main focus of study on non-traditional sound making device, seeking to develop an explosive noise making technique from circuit bent recording devices.

http://site.douban.com/mei​zhiyong/

NOJIJI,意思即无常,无法定性,即是充满自由,既​是无法涵盖的宇宙,既是创造力本身。

NOJIJI = impermanence = indefinable = freedom = creation

中国地下音乐死硬厂牌NOJIJI。总活动中心位于北京​通力福尼亚州小雷音。

NOJIJI is a hardcore underground label. The headquarter of NOJIJI, Raying Temple, is a live house located at Tongzhou, Beijing.

http://www.nojiji.com/
http://site.douban.com/noj​iji/
http://site.douban.com/ray​ingtemple/

Monday, June 20, 2011

SOUND SA Tour 2011: Zbigniew Karkowski + Brian O'Reilly GUILIN STOP





SOUND SA Tour 2011: Zbigniew Karkowski + Brian O'Reilly CHANGSHA STOP







SOUND SA Tour 2011: Zbigniew Karkowski + Brian O'Reilly + Sin:Ned SZ STOP


http://www.douban.com/event/13827756/

SOUND SA Tour 2011: Zbigniew Karkowski + Brian O'Reilly + Sin:Ned FOSHAN STOP

http://www.ninliho.com/artspace/index.php?option=com_content&view=article&id=246:626-sound-sa-&catid=8:events&Itemid=41

SOUND SA Tour 2011: Zbigniew Karkowski + Brian O'Reilly + Sin:Ned GZ STOP




SOUND SA Tour 2011: Zbigniew Karkowski + Brian O'Reilly + Sin:Ned HONG KONG STOP - Special guests: Dickson Dee + Alok


Date: 3 July 2011
Time: 8:30 PM
Venue: Hidden Agenda
Address: 香港觀塘大業街25號高良工業大廈6樓全層
6/F, Ko Leung Industrial Bldg, 25 Tai Yip Street, Kwun Tong, Hong Kong
Enquiry: hiddenagendahk@gmail.com
Tel : 91706073


Zbigniew Karkowski / 茲比格涅夫•卡科夫斯基(Poland)
Brian O'Reilly / 布萊恩•奧瑞利 (USA)
Sin:Ned / 黃仲輝(Hong Kong)

Special Guest: Dickson Dee + Alok

Ticket: $100 (Advance) , $120 (walk-in)
Jointly presented by Hidden Agenda & Re-Records

Zbigniew Karkowski, Brian O’Reilly & Sin:Ned, 3 highly acclaimed experimental sound artists from Poland, America and Hong Kong, join force for the first time in this south China tour. Integrating live visuals with 3 solo and 3 duet improvisations to create the SOUND SA, a converging vortex of the 3 lethal forces, at which lies a new vision that transcends music, theory and structure: an audio / visual rhetoric that embraces chaos and extends our perceptual limitation to the unknown territory.

三剎巡演2011: 卡科夫斯基 + 奧瑞利 +黄仲辉
卡科夫斯基、奧瑞利与黄仲辉,三位分别来自波兰、美国及香港之实验演奏家,以三组独奏、三组二重奏,透过即兴电声与实验噪音,连结即场炼成之动态影象,构成一个三刹局面,进行一次偏险的、反理性的声音论述。在结构与理论与音乐以外,灵视感观的极限与可能性。


http://www.facebook.com/event.php?eid=116647058422744

Thursday, June 09, 2011

SOUND SA Tour 2011: Zbigniew Karkowski + Brian O'Reilly + Sin:Ned



SOUND SA Tour 2011

Zbigniew Karkowski / 茲比格涅夫•卡科夫斯基 (Poland)
Brian O'Reilly / 布萊恩•奧瑞利 (USA)
Sin:Ned / 黃仲輝 (Hong Kong)

Zbigniew Karkowski, Brian O’Reilly & Sin:Ned, 3 highly acclaimed experimental sound artists from Poland, America and Hong Kong, join force for the first time in this south China tour. Integrating live visuals with 3 solo and 3 duet improvisations to create the SOUND SA, a converging vortex of the 3 lethal forces, at which lies a new vision that transcends music, theory and structure: an audio / visual rhetoric that embraces chaos and extends our perceptual limitation to the unknown territory.

Jun-25, 2011: Shenzhen / Liangcha Shop (Zbigniew Karkowski + Brian O'Reilly + Sin:Ned)

Jun-26, 2011: Foshan / Liang Barn (Zbigniew Karkowski + Brian O'Reilly + Sin:Ned)

Jun-27, 2011: Guangzhou / Ping Pong (Zbigniew Karkowski + Brian O'Reilly + Sin:Ned)

Jun-28, 2011: Qulin / Lounge Bar (Zbigniew Karkowski + Brian O'Reilly)

Jun-30, 2011: Changsha / Freedom House (Zbigniew Karkowski + Brian O'Reilly)

Jul-3, 2011: Hong Kong / Hidden Agenda (Zbigniew Karkowski + Brian O'Reilly + Sin:Ned + Special guests: Dickson Dee + Alok)

About the artists:

Zbigniew Karkowski
Zbigniew Karkowski was born in 1958 in Krakow, Poland. He studied composition at the State College of Music in Gothenburg, Sweden, aesthetics of modern music at the University of Gothenburg's Department of Musicology, and computer music at the Chalmers University of Technology. After completing his studies in Sweden, he studied sonology for a year at the Royal Conservatory of Music in Den Haag, Netherlands. During his education, he also attended many summer composition master courses arranged by Centre Acanthes in Avignon and Aix-en-Provence, France, studying with Iannis Xenakis, Olivier Messiaen, Pierre Boulez, and Georges Aperghis, among others. He works actively as a composer of both acoustic and electroacoustic music. He has written pieces for large orchestra (commissioned and performed by the Gothenburg Symphony Orchestra), plus an opera and several chamber music pieces that were performed by professional ensembles in Sweden, Poland, and Germany. He is a founding member of the electroacoustic music performance trio "Sensorband." Since 1995 he is based in Tokyo, Japan where he collaborates closely with japanese avantgarde scene. He has extensively toured in Europe, Asia, North America, South America and Australia and his music has been performed at several festivals

Besides working as a composer of contemporary music he has been collaborating with several experimental groups and artists like: The Hafler Trio, Blixa Bargeld, Merzbow, Stelarc, John Duncan, Aube, Tetsuo Furudate, CCCC, KK Null, Antimatter, Francisco Lopez, Kasper T. Toeplitz, Peter Rehberg, Li Chin Sung and has worked on remixing artists and bands like Iannis Xenakis, Clock DVA, Phauss, Jazzkammer, Florian Hecker, TV Pow, Rechenzentrum, Fred Bigot, Fear of God, Nosei Sakata and The New Blockaders.

He has as well written music for film, video, theatre and dance. His scores are published and distributed by STIM in Sweden and until today he has released more than 100 cds by labels all over the World. He is convinced that it is a responsibility of an artist in the present day to travel and work around the World in order to learn and understand different cultures and traditions and discover truth about ourselves and our planet. He also strongly believes that geographical, political and social exile is a necessary condition for true and honest creation. He is not interested in the traditional definition of music, in his opinion, all musical theory and systems as cultural concepts must be destroyed. In his latest work, his main concern is to realize drama with sound - electronic and acoustic walls with the architectures of ruins transcribed in the scores.

http://site.douban.com/zbigniewkarkowski/
http://www.myspace.com/zbigniewkarkowski

Brian O’Reilly
Brian O’Reilly works within the fields of electro-acoustic composition, moving images and noise music. Also he is a contrabassist focusing on uncovering the inaudible textures and hidden acoustic microsounds of his instrument through the integration of electronic treatments and extended playing techniques. He attended the School of the Art Institute of Chicago on a scholarship for sculpture during which time he perused independent studies in improvisation and composition with members of Chicago’s AACM. After which he relocated to Paris to research the composition methods of the composer Iannis Xenakis, receiving a appointment as Musical Assistant at Xenakis’ studio. He pursued graduate studies in Electronic Music at the University of California Santa Barbara’s Media Arts and Technology program, where his collaborations with Curtis Roads began with the project “Point Line Cloud” which won an Award of Distinction at Ars Electronica in 2002. As Operations Manager of Recombinant Media Labs in San Francisco He worked on many project for the Asphodel record label & recording studio, and has received several international residencies/commissions including invitations to work as a guest artist at the Zentrum für Kunst und Medientechnologie (ZKM) in Germany, the SH Festival in Shanghai and All Tomorrow Parties festival curated by Autechre in the UK. He has worked on projects with Eliane Radigue, Luc Ferrari, Curtis Roads, Zbigniew Karkowski, Otomo Yoshihide, Matmos, Maryanne Amacher, Zeitkratzer, Christian Marclay, William Basinski, Fe-Mail, Yasunao Tone, Francisco López, Garth Knox, Steina and Woody Vasulka, amongst others. Currently He is performing audio and visuals solo and in the groups Iron Egg & Black Zenith, and is a lecturer at LASALLE’s School of Contemporary Music.

http://vimeo.com/dendriform

Sin:Ned
Sin:Ned (Wong Chung-fai), an idiosyncratic improviser, sonic artist, live-visual artist, curator and free-lance writer from Hong Kong. Also co-founder of the experimental imprint Re-Records, member of the electro-acoustic duo No One Pulse, and Advisor of soundpocket.

Being a veteran writer of the legendary Hong Kong alternative music magazine MCB (Music Colony B-Weekly), his writings had influenced a wide spectrum of experimental musicians and listeners. While not writing as a pseudo-music critic elaborating his esoteric worldview, in the same idiosyncratic fashion, he spends much of his time hacking and sculpting sonic materials with his laptop and various non-standard electronic gears. With his on-going experimentation embracing improvisation, noise, errors, chaos and randomness, he has been re-visioning an unorthodox sound-making process expressed in extreme dichotomies, and driven by intuition and direct experience.

He has offered performance and creative work for concert, sound installation, workshop, audio-visual and theatrical performance. He had taken part and performed in various art events such as HK Sound and Vision Festival (2003), Get It Louder (2007), Hong Kong & Shenzhen Biennale of Urbanism/Architecture (2007, 2009), Architecture is Art Festival (2009), Notch Festival 2009 Guangzhou Station (2009).

http://sin-ned.blogspot.com
http://www.re-records.com
http://www.myspace.com/sin_ned
http://www.maitreyana.com

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