三篇文章,兩篇在香港「號外」六月號,一篇在內地的「當代藝術與投資」雜誌。都是關於聲音的人和事。
「號外」的兩篇,分別關於Alan Chan及Anson Mak。屬於雜誌專題「原音」的一部份。
「當代藝術與投資」的一篇,關於香港實驗樂圈的點滴,也是專題的一部份。PDF版本可在Mini Midi的官方網頁下載 (得雜誌授權):
http://minimidi.cn
Sunday, June 08, 2008
鬼餓施舟

剛於Lona Records名下發表的Ghost Feeding Vessel,是我與腦科 (Nerve) 去年孟蘭前夕於Para/Site的一次現場演出錄音。我自已是蠻喜歡這次演出。雖然這是第一次與腦科合作,但效果異常合拍。腦科那追求非直線、高隨機性及強調即興元素的演奏理念,與我不謀而合。再者,腦科一直是我極欣賞的香港實驗音樂家,能夠與他合作,實在是自已的榮幸。
在是次演出,我只用了一個無音源的Mini Kaoss Pad作主奏工具,電腦反而只作輔助,將No-Input Device的概念,及在No One Pulse與阿巢 (KWC) 所發展出的即興手法,進一步融匯貫通。那Free-Form的演奏模式及氣息原始的東方宗教色彩,再加上我一貫喜愛的長篇舖排,效果甚得我心。
一直覺得,香港極需多一點開放交流,小一點劃地自限。因此,也很喜歡我們在《異靈對話》及《異靈祭典》所促成的跨界合作。
在是次演出,我只用了一個無音源的Mini Kaoss Pad作主奏工具,電腦反而只作輔助,將No-Input Device的概念,及在No One Pulse與阿巢 (KWC) 所發展出的即興手法,進一步融匯貫通。那Free-Form的演奏模式及氣息原始的東方宗教色彩,再加上我一貫喜愛的長篇舖排,效果甚得我心。
一直覺得,香港極需多一點開放交流,小一點劃地自限。因此,也很喜歡我們在《異靈對話》及《異靈祭典》所促成的跨界合作。
當然,阿巢的封面設計也是一貫的精妙。
Available at:
Thursday, April 24, 2008
Anima: The Feminine Underground

Artists:
ioioi (Italy)
Vavabond (China)
Magdalen Wong (Hong Kong)
Yin John & Wings (Hong Kong)
+ support guest DJ by Elle Est ChiNOISE
Date: 25th April 2007 (fri)
Time: 8:00pm
Venue: Videotage
Unit 13, Cattle Depot Artist Village, 63 Ma Tau Kok Road, To Kwa Wan, Kln, Hong Kong
Cost: $120
Enquiry: info@lona-records.com
Thursday, March 20, 2008
The Experience of Reading - Cancelled
The mentioned performnace originally scheduled on this Sunday (Mar-23) has been cancelled.
Monday, March 17, 2008
三月在牛棚―藝術社區連線: 音聲表演

音聲表演
Sound Performance
3/29 (sat), 7:30–9:30pm
*憑票免費入場*
Free Admission by Tickets
蒞臨創意音樂之夜,感受包括Alok, Sin:Ned, Wilson Tsang, KWC 及Brown Note Collective 等聲音藝術家的聲響表演,帶您進入變化無窮而又充滿驚喜的聲音領域。
Sound artists, including Alok, Sin:Ned, Wilson Tsang, KWC, and the Brown Note Collective, gather on stage to create an ever changing and an unexpected soundscape.
* 憑票免費入場,座位有限,先到先得,額滿即止。
索取門票方法:
1. 於2008年3月14日起在香港文化中心及香港大會堂地下詢問處派發。
2. 郵寄索取:請附上已貼有足資郵票的回郵信封,寄回九龍土瓜灣馬頭角道63號牛棚藝術村14號1a空間收。信封面請註明「索取3月22日音樂會門票」或「索取3月29日音樂會門票」及數量。
* Free admission by tickets. Tickets are available on a first-come-first-served basis.
Collection of free tickets:
1. Tickets will be distributed starting from 14 March 2008 at the enquiry counter of Hong Kong Cultural Centre and Hong Kong City Hall.
2. By mail. Please send a stamped self-addressed envelope to: 1a space, Unit 14, Cattle Depot Artists Village, 63 Ma Tau Kok Road, To Kwa Wan, Kowloon. Please mark “Concert on 3/22” or “Concert on 3/29” and number of tickets to be requested on the envelope.
詳情請瀏覽
For details, please visit
http://oneaspace.youdomain.com/Cattle_Depot_in_March/enews-attachment.jpg
Wednesday, March 12, 2008
The Experience of Reading

Date: Mar-23, 2008
Time: 3:30 PM - 4:30 PM
Venue: Videotage (Cattle Deport Artist Village)
Artists:
Alok, Sin:Ned, Edwin Lo
www.videotage.org.hk
Thursday, February 14, 2008
We Play White Noise: Chop Vol.2 Release Concert

Date: Feb-29, 2008
Time: 8:00 PM
Venue:
Videotage
No.13, Cattle Depot Artists Village
63 Ma Tau Kok Road, To Kwa Wan
Kowloon, HK
0rganized by:Videotage,White Noise,We Play!
Ticket:70HKD door only
Enquries:
25910499, 25731869
whitenoise@netvigator.com
weplayrec@gmail.com
Artists:
Dickson Dee (Hong Kong)
Sin:Ned (Hong Kong)
Zen Lu (China)
Guest: Liu Chun (China)
由White Noise聯合深圳獨立音樂廠牌We Play!推出的We Play White Noise音樂會是為ChoP vol.2的出版而舉辦。ChoP是一個介於中國與波蘭之間的音樂專案,由中國深圳的電子音樂家Zen Lu與波蘭實驗音樂家Grzegorz Bojanek共同發起,主要以網路傳輸的方式相互傳遞素材進行主題創作,體現出兩種不同文化背景、不同社會形態下兩國前衛音樂家對於實驗音樂、聲音藝術等領域的探索與碰撞,在ChoP的每一個系列唱片中我們均邀請一名中國音樂家和一名波蘭音樂家共同創作完成。ChoP vol.1
More info:
www.videotage.org.hk/
www.whitenoiserecords.org/
www.weplayrec.cn/
www.myspace.com/whitenoiserecordshk
www.myspace.com/weplayrec
www.myspace.com/chopart
Sunday, January 27, 2008
G-Imagineering Along Desire Lines


G-IMAGINEERING ALONG DESIRE LINES
Modern Media x Hong Kong & Shenzhen Biennale of Urbanism/Architecture
Presented by Modern Media
Modern Media x Hong Kong & Shenzhen Biennale of Urbanism/Architecture
Presented by Modern Media
Partners: Videotage, Chenmiji, Lona Records, ANLIGHTEN Design Studio
Special thanks to Johnnie To/Milyway Image, China Star Entertainment and STAR for permission to show clips from Running Out of Time 2, Videotage for its generous loan of projection and sound equipment, and Yatzar for spatial design support
Central Police Station Compound, 10 Hollywood Road Hong Kong
10 Jan - 15 Mar 2008 (closed on 6-8 Feb)
10 Jan - 15 Mar 2008 (closed on 6-8 Feb)
10am-6pm (daily)
G-Imagineering along Desire Lines presents the work of urbanites who have documented/initiated changes in (what was formerly known as) Victoria City: a video collage of Hong Kong filmmakers/video makers’ cinematic reinterpretation of urban spaces, to be juxtaposed with a recreation of the Central soundscape by sound artists Alok and Lona Records in a room decorated by furniture salvaged from demolished public buildings over the years by cultural publisher and collector of urban artifacts Chenmiji, in a study of the desires, dramas and organic spatial relationships embodied in the architecture and its surroundings. Copies of Modern Media’s City Magazine and the Outlook Magazine, chroniclers of the collective cultural/consumerist experience in Hong Kong and the South China region, provide a frame of reference for the exploration of possibilities in sustainability.
Concept & coordination by Lo Yin Shan & Vince Lung
《放逐慾望縱橫線》
現代傳播集團x 香港‧深圳建築雙年展
主辦:現代傳播
創作夥伴:錄映太奇、陳米記、LONA RECORDS、ANLIGHTEN DESIGN STUDIO
《放逐慾望縱橫線》
現代傳播集團x 香港‧深圳建築雙年展
主辦:現代傳播
創作夥伴:錄映太奇、陳米記、LONA RECORDS、ANLIGHTEN DESIGN STUDIO
特別鳴謝:杜琪峰/銀河影像、《暗戰II》版權持有人中國星及STAR提供電影片段、錄映太奇借出投影器材及音響系統、YATZAR
《放逐慾望縱橫線》邀請香港都市生活的詮釋/創造者,在將發未發的變動中,尋索既有路徑以外的質感、音聲、幻像,為中區特有的空間象徵和城市記憶重新定義。本地電影人將中、上環的熟悉場景幻化成天馬行空的詩意舞台,文化刊物出版人/舊物收藏家陳米記多年來自面臨拆卸的舊屋舊廈、公共建築搶救家具、舊物保存歷史,音聲藝術家Alok與Lona Records創作夥伴以環境實驗音樂記錄城市集體潛意識;《放逐慾望縱橫線》以投影裝置將電影中虛構的警察面貌、權力糾纏置放於人去樓空的監獄實景,用囚犯手製的政府座椅、背後自有來歷的舊書櫥建構予參觀者思古神遊的場所,配合Alok and Lona Records現場即興演譯的環境/人聲數碼微模音樂,促成影像/音聲與建築/空間的對話。現場供隨意翻閱的《號外》與《新視線》雜誌,以一貫的文化視野與消費生活觸覺,為空間與慾望的後續討論提供素材。
概念策劃:盧燕珊、龍文浩
DESIRE FURNITURE
慾望家私
慾望家私
Chenmiji
陳米記
陳米記
Today, the Central Police Station compound stands deserted, devoid of its former occupants—and its colonial-style government furniture.
For more than two decades, Chenmiji have been preserving history by salvaging overlooked treasure from public buildings and government offices facing demolition. These chairs, tables, book cases, door handles, light switches have been selected by Chenmiji from his vast collection of urban artifacts to be displayed in this former exhibition space for “Correctional Services Industries” products. Each item has its own story to tell—and a similar origin to the government stationery and furniture that had been used or produced here until not so long ago.
中區警署建築群,人去樓空,連殖民年代的傢俬舊物也一併消失。
舊物收藏家陳米記多年來自面臨拆卸的舊屋舊廈、公共建築搶救家具、舊物保存歷史。今次,他從私己舊物倉庫挑選一系列大小組件──檯椅、書架、門鎖、電燈掣等等放回這個「懲教工業製品」展示室內陳列。每件物品,附掛名牌一個,述說它的身世故事。
CENTRAL SUBCONSCIOUSNESS
音景中環
Lona Records
Alok, Edwin Lo, João Vasco Paiva, KWC, Nerve, No One Pulse, Sin:Ned, Vavabond & yy.zz
音景中環
Lona Records
Alok, Edwin Lo, João Vasco Paiva, KWC, Nerve, No One Pulse, Sin:Ned, Vavabond & yy.zz
Central is a playground of sounds loud and soft, a forum of conflicting views as much as it is an arena of power and desire. The ambient sound artists at Lona Records capture the emotions of the heart of our city and present us with a digital simulation of the urban soundscape, a soundtrack for the subconsciousness of the urbanite.
以聲音作為一種觸覺及想像方式,在空間與地理之間,劃一直線;以符碼學的姿勢,橫切歷史、權力、文化及瀕臨存在邊緣的回憶與現實。
Lona Records的聲音實驗家,以中區警署建築群為中心,向外以聽覺伸延,採集聲音,透過電腦軟件及各種電子器材,將中區警署建築群變成一個熔爐,一併消化自身的歷史及週邊的聲態環境。過程是一系列的現場演奏及背景音像。
名店與童年回憶與舊區生態與醉生夢死與建築與空間與消費物質資本主義連成一線聲音。
然而,根據相對論的說法,兩點之間的最短距離,不一定是直線。
想像,一個即將融化在聲音之中的中環。
Live Performance:
2 Feb 2008 (Sat) 2pm-5pm
Vavabond, No One Pulse, Nerve, Alok
23 Feb 2008 (Sat) 2pm-5pm
Vasco, KWC, Edwin, Sin:Ned
15 Mar 2008(Sat) 2pm-5pm
Alok, No One Pulse, Nerve, João Vasco Paiva, Vavabond, Edwin, yy.zz
RUNNING IN & OUT OF TIME & SPACE
A TRIBUTE TO JOHNNIE TO’S SPATIAL EXILE
放逐杜琪峰暗戰時空
Dan Ip+lo
葉曉丹+lo
A TRIBUTE TO JOHNNIE TO’S SPATIAL EXILE
放逐杜琪峰暗戰時空
Dan Ip+lo
葉曉丹+lo
In Johnnie To’s Running Out of Time 2, the plot and reality intertwine in a Hong Kong that is strange yet familiar. Video artists Dan Ip+Lo have borrowed scenes from the film—with the director’s kind permission, of course—and argue visually that Lau Ching Wan, playing Inspector Lau in a “Central Police Station” that is in reality the former Marine Police Headquarters in Tsim Sha Tsui, is actually pointing his gun towards the days when our city was still a colony; that the fictional birdwatchers at the Central Piers are taking our imagination far beyond the hills surrounding Victoria Harbour; and that To’s cinematic tribute to the now demolished Queen’s Pier is a reminder of the arrogance and haste with which we have been destroying our past. Across the harbour, in the Cattle Depot Artists Village in Tokwawan, media artist Gd St j joins Dan Ip+lo in a video dialogue between real and imaginary space.
難得獲杜琪峰導演首肯,錄像人葉曉丹+lo以《暗戰II》場景片段,展開一連串電影與現實移形換影的時空對話:仿中區警署的尖沙咀前水警總部煙幕一場,何督察劉青雲手鎗指向的原是香港殖民年代的記憶。中環碼頭觀鳥一幕,延伸詩意想像,帶我們神遊摩天蒼穹。少不了還有向皇后碼頭致敬的一幕,時空隨波倒流,惜大家沒有將撿到的眼前物當作寶。屏幕裡外對照,葉曉丹+lo與錄映太奇媒體人白雲飛,同時在牛柵開展另一場土瓜灣時空對話。
Tuesday, January 22, 2008
What? Sounds?
We are here
Shouting
Making noises
Listening deeply
To one another
Thru sound, we unite
With sound, we are going to fly
Not far out there
But deep inside, we go
We are the forgotten sons
Yes I know
But all sounds equal
This, we shall not forget
My dear
All sounds equal
This
is the beauty
Of our voices
All sounds equal
My big shout out and deepest respect...
Alok: My pure minimalist, without you, we will have no new music in HK now
KWC: I will never stop being amazed by your ideas & imagination
Nerve: You are true master of sound!!
VSOP: Let's get up and dance again guys, you are the greatest avant-garde unit in HK.
Fathmount: My respect to the only free-form improv guitarist...let's not stop here...the fun had just begun.
LWTV: My dear anarchist, all sounds equal and no sound shall tear us apart. Thru sound, we shall unite.
Wilson Tsang: You teach me the true beauty of the black & white keys.
Cedric: Hey, let's not keep the art secert. Shall we dance?
Edwin: Yes, let's surrender to the sounds around us!
Ahshun: The world is gloomy, but what the heck?
Sherman: I see a freedom that cannot be destroyed easily...
Anson: We shall never give up our trust and love in sound.
Dickson: Big big shout out...from home (you know, where the heart is)
Shouting
Making noises
Listening deeply
To one another
Thru sound, we unite
With sound, we are going to fly
Not far out there
But deep inside, we go
We are the forgotten sons
Yes I know
But all sounds equal
This, we shall not forget
My dear
All sounds equal
This
is the beauty
Of our voices
All sounds equal
My big shout out and deepest respect...
Alok: My pure minimalist, without you, we will have no new music in HK now
KWC: I will never stop being amazed by your ideas & imagination
Nerve: You are true master of sound!!
VSOP: Let's get up and dance again guys, you are the greatest avant-garde unit in HK.
Fathmount: My respect to the only free-form improv guitarist...let's not stop here...the fun had just begun.
LWTV: My dear anarchist, all sounds equal and no sound shall tear us apart. Thru sound, we shall unite.
Wilson Tsang: You teach me the true beauty of the black & white keys.
Cedric: Hey, let's not keep the art secert. Shall we dance?
Edwin: Yes, let's surrender to the sounds around us!
Ahshun: The world is gloomy, but what the heck?
Sherman: I see a freedom that cannot be destroyed easily...
Anson: We shall never give up our trust and love in sound.
Dickson: Big big shout out...from home (you know, where the heart is)
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